Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of MASOLINO da Panicale 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
51675		Archangel Gabriel	nn09 c.1732 tempera on wood 76x57cm National Gallery of Art
8082		Banquet of Herode (detail) sg	1435 Fresco Fonte Battisemale, Castiglione Olona
8083		Crucifixion hjy	1428-30 Fresco San Clemente, Rome
32399		Healing of the Cripple and Raising of Tabatha	1426-27 Fresco, 255 x 162 cm
32404		Healing of the Cripple and Raising of Tabatha	1426-27 Fresco, 255 x 162 cm
59776		Madonna and Child, Saint Anne and the Angels	Madonna and Child, Saint Anne and the Angels
8085		Madonna with the Child s	Wood, 95,5 x 57 cm Alte Pinakothek, Munich
28911		Modonna of Humility	mk65 Tempera on panel 43 1/2x24 7/16in Uffizi,
97782		Pope Gregory the Great	between 1428(1428) and 1429(1429) cyf
23375		Saint Peter and Saint Paul (nn03)	c 1428 Oil on panel 114.5 x 54.4 cm 45 x 21 3/8 in Philadelphia Museum of Art Philadelphia PA
32403		St Peter Preaching	1426-27 Fresco, 255 x 162 cm
55925		Temptation of Adam and Eve	mk247 c.1426,fresco,82x34.675 in Brancacci chapel,santa maria del carmine,florence,ltaly
8081		The Annunciation syy	1425-30 Tempera on panel, 148 x 115 cm National Gallery of Art, Washington
59777		The Annunciation, National Gallery of Art	The Annunciation, National Gallery of Art
8084		The Evangelists and The Doctors of Church sg	1428-30 Fresco San Clemente, Rome
8088		The Martyrdom of St Catherine sg	1428-30 Fresco San Clemente, Rome
8086		The Philosophers of Alexandria sg	1428-30 Fresco San Clemente, Rome
8087		The Philosophers of Alexandria (detail) sg	1428-30 Fresco San Clemente, Rome
32406		The Temptation	1426-27 Fresco, 208 x 88 cm

MASOLINO da Panicale

Italian Early Renaissance Painter, ca.1383-1447 Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization. He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence. These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino St. Peter Preaching, St. Peter Healing the Cripple, The Raising of Tabitha, and The Fall of Adam and Eve. Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition. He went to Rome where he painted frescoes in the Church of San Clemente for the Cardinal Branda Castiglione. For the same patron he decorated the church of Castiglione di Olona in the province of Como, Italy. There he represented scenes from the life of the Virgin and of St. John the Baptist. Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples);

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